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| 1. | What do you know about BAU? | | |
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| 4. | How many years have you been engaged in your creative/making practice? | | |
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| 5. | What is your current working status? | | |
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| 6. | What is your current legal-business status? | | |
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| 7. | Where do you spend the majority of your creative/making practice time? | | |
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| 8. | How is your work produced? | | |
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| 9. | How would you best describe your work? | | |
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| 10. | What word or words do you personally use to define, label or sell your work? |
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| 11. | How many market ready works of 0-10 minutes do you currently have available to perform? | | |
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| 12. | How many market ready works of 10-20 minutes do you currently have available to perform? | | |
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| 13. | How many market ready works of 20-40 minutes do you currently have available to perform? | | |
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| 14. | How many market ready “full evening” works do you currently have available to perform? | | |
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| 15. | How many market ready “durational performance/installation" works do you currently have available to perform? | | |
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| 16. | How many pieces do you currently have market ready in which you are performing in your own work? | | |
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| 17. | How many pieces do you currently have market ready with 0-2 performers/collaborators? | | |
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| 18. | How many pieces do you currently have market ready with 2 - 5 performers/collaborators? | | |
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| 19. | How many pieces do you currently have market ready with 5 - 10 performers/collaborators? | | |
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| 20. | How many pieces do you currently have market ready with 10 or more performers/collaborators? | | |
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| 21. | Which of the following venues do you feel your work is most or best suited? | | [Please select at most three options.] |
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| 22. | How would you evaluate the contact you have with other Independent Makers? | | |
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| 23. | What types of contact, interaction and/or exchange do you have with other independent makers? | | |
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| 24. | How would you evaluate the contact you have with programmers / curators? | | |
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| 25. | How do you currently make contact with programmers / curators? | | |
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| 26. | How would you describe your contact with venues or festivals? | | |
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| 27. | How would you describe your contact with policy makers? | | |
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| 28. | How do you handle financial risks? | | |
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| 29. | How do you consider financial investments? | | |
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| 30. | How many times in the past year has your work has been shown or presented with no payment? | | |
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| 31. | How many times in the past year has your work has been shown or presented with non-profitable payment | | |
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| 32. | How many times in the past year has your work has been shown or presented with profitable payment | | |
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| 33. | Who has generally sold your work in the past? | | |
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| 34. | Who is currently selling your work? | | |
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| 35. | According to your artistic vision and business plan, how do you envision your work being sold in the future? | | |
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| 36. | When is it possible for you to start selling your work? | | |
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| 37. | How would you consider engaging with an agency? | | |
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| 38. | Which of the following venues would you potentially like an agency to sell your work to? | | [Please select at most three options.] |
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| 39. | What is your current view on shared programming? | | |
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| 40. | Do you know of any agencies, digital platforms, collectives or networks that currently exist elsewhere (in other artistic fields, in other business fields, in other countries) that you think might serve as a good model for an agency for the independent dance and performance scene in Amsterdam? |
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| 41. | Can you please give three keywords that best represent your ideal of an agency for the independent dance and performance scene in Amsterdam? |
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| 42. | How many independent performance makers do you think* are currently living and working in Amsterdam? | | |
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| 43. | How many members do you think* comprise the independent performance scene at large (including dramaturges, dancers, curators, programmers, technicians, producers, marketers, etc)? | | |
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| 44. | How many works by Amsterdam independent performance makers do you think* are currently market-ready? | | |
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| 45. | Please add any brief comments you may have | | |
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